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The band seem to have teamed up with Yelloand are now closer to Norwegian Shining than the elements of the Swedes would suggest. Hypnosophy is the third full length by the Greek quintet, and it opens quite cool with Oneirodynia that blends very different extreme and emotional clean vocals in a very good way, depicting soul and empathy.
The melody is good, and the fervent derisive and unrestrained vocals that almost mocks the purer voice, creates good contrast. When saxophone enters, it brings more nerve to the music. When 7 minutes long Fire Walk with Me take over after almost 8 minutes, it's in the same alley, with proggy melodic extreme metal. The start reminds a tiny bit of Keep of Kalessin due to the rhythm in the melody.
The song is good, but I can't quite get the hang of the clean vocal line in the chorus, which gives me a somewhat uncomfortable feel. With Earth Tomb the unfortunately cabaret animal awake from dormancy. On the last record there was one song in particular that I didn't particularly enjoy, and Hypnosophy builds a bit too much on the foundation of the very same ingredients.
The song is fairly good and well-written, but the music also feels slightly more power-prog-poppy, particularly in the heinous musical-like choir-chorus that makes me feel even more uncomfortable. Weeping, mournful saxophone opens Voidbut as soon as I find tranquillity and melancholic satisfaction, jazzy female vocals of a type I can't stand comes along.
For this very reason, I have nothing to compare with, except the song Funeral Blues from Extance. It was the albums biggest drawback due to the exact same ingredients. The song Tunnel brings more jazz elements that are likely to make bigger fans of Yello burst with incomprehensible joy. I'm just getting dizzy. The album picks up slightly towards the end. The proggy moods of Thus Ocean Swells ain't once so bad. At least if a light avant-garde mood of schizophrenic yet muted jazz-prog is your thing.
The song is still a bit dull and unexciting. The song is largely calm and dreamy, but it definitely has its moments. The expression, like the atmosphere, is characterized by fairly monotonous melancholy, and I had to hear the song an extra number of times as my concentration kept dropping out. In other words, the song has a bit too anonymous a feel all in all. Song-by-song reviews are often frowned upon, but with Hypnosophy 's gradual development, or decline, as an unfortunate drive off the cliff, it felt like a natural approach.
By starting off very well and by provoking less near the end, Aenaon don't crash and burn entirely, though. If you have a bigger taste for alternative music than me, Aenaon might surely appear as an exciting band. For me, however Hypnosophy is too little bread and too much circus, and when the Greeks act as big-band jazz, I feel the aversion creeping like insects underneath the skin. The album is well played and the song-writing is partly clever, with some good melodies and hooks, skilled implementation of a wide array and great diversity.
The expression can be said to be very well carried out, something that's also required to avoid falling through with such a schizophrenic mixture.
Properties those who appreciate this musical direction will surely appreciate. I'm still rather disappointed, personally. The album is rather uneven, and parts of it don't appeal at all. I must nevertheless emphasize that the album is a matter of taste. It has a preponderance of ingredients that don't fit me, but that can possibly sit just right with you. Hypnosophy by Aenaon. Iron Bonehead, The name quickly spread quicker than wildfire in hot cakes, and the subsequent EP didn't alter this matter.
A rocket start to the career is a dream situation for any fresh band, but it's also a somewhat nerve-racking situation. When the debut is now finally being released, the band has huge expectations to fulfil. Despite the impact of Aura and SomaI approached Hero with an open mind. The two EP was after all not terribly different in expression, and as such, chances were that time was ripe for development. Hero do quite right move in a slightly different direction.
The duo still blends a fairly kaleidoscopic maelstrom of red-hot blackened lava and occult-sounding tributes to the realm of death. Hero has a certain hypnotic mood and a pretty rounded atmospheric expression. The sound in particular underpin the last two aspects by resounding with a warm, epic ethos. Some of the raw savagery is gone, or it have at least faded. The intro, Urdrconsists of gruesome whistling, and the album ends with a correspondingly lamentably outro in the form of of Atroposwhere vocalist KzR earlier of Witchrist and Deathcult does a poor imitation of Billy IdolDanzig or whoever.
The album even has a silly interlude called Decimawhere "hey-o-hoy-o" vocals gives associations to a Native American infected by the common cold. The six songs, however, fortunately have a higher quality. The music is more melodic. Without following in the footsteps of the Eurovision Song Contest, of course. The songs ain't bad, and the suggestive atmosphere work its magic. Compared with the two EPs, Hero nevertheless feels fairly diluted and tame.
The first two songs don't fascinate me too much. The Archer is to some extent characterized by feeble vocals, and the title track sees the return of that horrid whistling. None of these items impair in a sufficient degree to spoil the songs, though. Subsequent Phosphor still comes more to its right despite a monotonous character and a half minute of ritual voices, whistles and bell-rattles, leading onto said Decima. After the break, I am III arrives, showing a bit more savagery via dynamic diversity along with different vocal forms that actually works great.
As we'll see, that's not always the case. The drumming is one of the aspects of the album that, at its best, appeals the most. Take Spiritual Athleticism as reasonably random example. Although the pace is steady and firm through sequences of the track, percussionist HzR varies the rhythm considerably through good variety of tom-toms and timps. Don't take the latter literally. Timpani not included. This is like a basic course in how to prevent monotony from sounding monotonous. The drumming is still not entirely outstanding.
The beginning of said track for example, don't impress much. There is thus a bit more friskiness and spirit in the album whence its well underway, but closing Clorophylia becomes somewhat protracted and uneventful, and reveal that the second half ain't flawless either.
Yet, we have barely scratched the surface of the cardinal error. The album's biggest and most controversial change concerns the vocals. Nowhere is it ever as raw as before, even if it remains fairly coarse several places.
It's still the inclusion of a much brighter clean vocals that almost certainly will split listeners into different f r actions. The mournful, plaintive vocals howl like the autumn wind in poorly insulated, and derelict mountain huts. It is clearly a matter of opinion. My original opinion was that it was perhaps not directly bad, but that it didn't add much if anything to the music.
Gradually I even perceived the lion's share of it as a disadvantage, a nuisance, and it doesn't help that it has a probably deliberate hint of out-of-key. If it had been applied only exceptionally, it would likely have contributed to greater diversity, but it is used quite a lot, and emerges as all too soft and blissful.
The clean vocals is simply far from optimal. Even the cover is rather stale in my eyes. It's a weak 4 though. The band plays thrashing death metal with excellent technical skills and ditto sound. The song material on the other hand, needed some time to bloom, but even the better part of this gradually came to its right.
The growth curve is not directly proportional with time The substance eventually snuck up on me, though. Nevertheless, Conceived By Hate offer precise details in their otherwise rabid metal. The music is fast and aggressive, but the five Central-American guys have oodles of finesse compared to lots of similar savagery.
The music is vital, with evident enthusiasm from those involved. Mood-sequences and brutality are nicely merged together, both characterized by good and skilled instrumental craftsmanship.
Both guitar and bass demonstrate execution with a hint of technical flair. The solos are unbridled and fiery. The drums offer some bizarre rhythmic transitions. Check, for example, the first few minutes of Chaos Upon Us.
The downside is slightly directionless, and thus fairly aimless melody lines. Three songs stands out quite a bit more. We Choose Who Suffers is a slower song with malicious moods and proper amounts of sombre melody, located in the middle on the album.
Playful and enjoyable use of fretless bass takes place in a sequence. Even a backdrop of synth reveals itself later, but the usage ain't exaggerated. The droning guitars stands in front and dominate along with hard beats and sick, rasping vocals. Also in Below the Pale Skysynth appear. At first together with calm guitars, before the synth withdraw to the back of the car when noisy teenagers board the subway.
The contrasts are striking when droning guitars with thundering sound takes over. Another wonderful song. After a short track with lovely guitar solo, the album ends with the 7. That these three are the albums longest songs are of course gratifying as they are also my undisputed favourites. That all of 'em are placed from the middle and out, also means that I prefer the latter half of the album. The album as such, is a bit uneven, from songs without striking melodies, to hypnotic giants that blows me over, but the quality of structures and other aspect are nevertheless constantly top notch.
Temple of Torturous Records, I don't know whether The Beauty Of Chaos represented some kind of breakthrough, but after checking out album number three, Frozen CircusI quickly realized that the band had taken a step by leaps and bounds in the right direction between the two.
For that very reason, I never dug deeper into their back catalogue. Their last full-length album 'sowing the seeds of a worthless tommorow' is an outstanding release of the genre The vocalist is also a member of Calgary's Kataplexis.
Surrounded By Human Filth 7'' Monomaniac Vol. Surprise Package. Hot Snakes in Philadelphia in Froberg center and Wood right. Newer Posts Older Posts Home. While he's still breathing, he can donate his great paintings to a museum's wing that bears his namesake and bask in Goodguy glory. Charities solicit those known to have an overabundance not because they can afford to give more, but because they know if the "philanthropist" does not give, he will be depicted as a human monster.
Charities choose slogans like, "You can't afford not to give," implying that those who refuse them will receive some sort of retribution for their miserliness. The trick of playing on the guilt of those who can. Mail-order evangelists have been known to bulkmail solicitation brochures depicting a bunch of bloated-bellied "orphans" standing in from of their foundation's "buildings" in Guatemala or Biafra or New Delhi.
Investigation might reveal that the foundation's masonite sign covered "New Era Export Co. Goodguy causes provide unlimited opportunity for hanky-panky, and not jsut of Album) fiduciary variety. If a volunteer of sterling moral propensities meets another equally proper and equally married co-worker under physically stimulating conditions, a merger might take place in the supply room one night.
A rationale will be available, of course: both parties share a common goal. Charities are as much an opportunity for social contact as the most blatant singles club or dance He - Nine Covens - On The Coming Of Darkness (CD, but allow the joiner to be a Goodguy instead of a wallflower or creep. Who could not find it admirable to want to save humanity? And animals and trees in addition?
Or, Satan defend us, the desire to save the world? Actually, the madman who thinks in terms of ruling the world and the equally daft individual who wants to save it are usually one and the same: those who wish to rule the world usually go about attaining their goal in the guise of saving it. Power-mad Goodguys sublimate these desires by trying to help rule through warfare or help save it through egalitarian politics.
These helpers can wear their Goodguy badge without taking on the responsibilities or liabilities of a figurehead. A Goodguy who helps to save the world in the guise of an ecologist simply becomes a microcosmic god serving a macrocosmic client.
It seems to me that the people who holler the most about ecology are the least capable of actually contributing to the planet's development. Quite obviously, the first place to start is to eliminate the source of the problem. The problem of course is people. Get rid of the people and you will be rid of the problems they so desire to eliminate. The armchair liberals who speak reverently of ecological duty would be horrified to implement the totalitarian requirements of compulsory birth control.
They shout, "Power to the people! Make a bigger mess? Where are all the little men with big ideas? There goes one now, pedaling by the luxury car showroom on his mountain bike, beads of sweat decorating his forehead like translucent jewels. Here comes another putting by in his sub-compact. Neither has any more self-awareness now than they did decades ago when they tooled along in their horsepower monsters.
The man on the bike is wealthy. The one in the small car is not. Cyclist rides one of his Goodguy Badges and gets healthier in the bargain. Little man in little car rides in one of his Goodguy badges and can actually afford to maintain it. Turn back the clock and listen to another kind of logic.
Nobody would buy a small car because it was unsafe, embarrassing and unheard-of. Only youths and eccentrics rode bicycles. Youths because they weren't old enough to drive, and eccentrics because it was healthy -- but anyone who was a health faddist had to be a nut. Are we to assume that man is the only living organism that cannot adjust to its environment?
If bugs actually thrive on the pesticides that once fell them, will man's body not accept pollutants, chemical preservatives, etc. Why are the most sickly-looking people the ones usually seen emerging from health food stores?
Could it be that their stringent dietary habits fail to immunize them from "poisonous" foods they are on occasion likely to ingest? If ecology Goodguys want to practice what they preach, let them establish colonies undeveloped areas and maintain them with as little contact as possible with the outside world. A few actually have done so, and they are to be admired. They are creating a society from an undeveloped environment, however.
It is the most important ingredient of all in the life of the Goodguy, the lack of which makes his badge meaningless. That missing ingredient is an audience.
I will tell you a story. There was a hermit who lived in a deep wood near a small town. Once each year, on the first day of May, he would stand at the edge for a little while. Then he would go back in the woods, not to be seen again for exactly one year. He had done this for 20 years, and the only reason he was ever seen was because the children held a maypole dance in the clearing at the edge of the wood.
After the fifth year of regular appearances, he became an institution among the townspeople. In fact, it became a feature of the festivities to gather in wait for the hermit to make his appearance.
Soo the hermit became the town's best-known celebrity, solely on the strength of his yearly appearance. On the 21st year he did not appear. Near panic ensued. A search party was formed and the woods scoured.
The hermit was nowhere to be found. The townspeople sadly returned to their homes and stores. The next day, the hermit came walking down the main street of town.
Everyone ran up to him and told him of their concern and how glad they were to see him. They insisted that he stay in town and not return to the woods ever again.
They not only took care of him, but elected him mayor. He was not really a hermit, though, nor had he ever been one. A hermit lives alone, without human contact. That man simply had infinite patience and a responsive audience. He was a good showman who became a politician. Like some "hermits," all wearers of Goodguy badges need an audience.
Just as an evangelist needs an environment of sinners in which to operate, the ecology Goodguy requires a polluted urban area. Despite the obvious abundance of sunshine, fresh air and healthful living, blind men seldom join nudist camps. The closent thing to unabashed slickerism many rustics can witness is in the evangelist's tent. A "man of God" can fleece unconsciously willing victims even easier than a hustler peddling non-Godly wares.
The Goodguy Badge that the evangelist supplies in exchange for his thievery ensures his success. Those with a minimum of guilts will become their own victims, and their few inner demons will become the engine for various excesses and vices. Those guilts are greater are more guarded in their actions. They are always looking for someone who will take advantage of them. I have heard many men and women confess, "I know he or she is conning me, but I find it so entertaining I really don't mind.
The sin-killing preacher is the ultimate wolf in sheep's clothing: his followers demand that he be so. Despite the luxury cars, dapper clothes prompted by these accountrements rarely discourage the faithful.
The more grandiose the crusade, the more satisfied are their customers. The guilty are relieved of their guilts and inhibitions -- especially in the more violent forms of religious ecstasy.
What, it will be asked, is so terrible about such an arrangement? Nothing but self-deceit. God and Jesus maketh the evil man good, the vicious man kind, the smitten man grateful, the victim happy. What would happen if those divine names were no longer potent enough to placate the weak and inadequate? What of the future, when deceit and treachery will be as easily read as one's name and address? When victims, however willing, will be seen as they are -- victims.
When self-deceit can no longer go unrecognized by others, no one will wish to show himself as a fool. Vehicles for sef- deceit will either be employed within one's private chamber or publicly presented as amusements -- nothing more.
Ominous prophesies of an elite "thought police" will prove to be unfounded. New findings in character analysis will render everyone a potential thougth policeman. It will become as easy to assess another's motivations as it is to tell the color of his eyes. The badge of the Goodguy will be visible in every mannerism, and no amount of affectation or protective plumage will disguise character flaws.
And the truly good guy will be seen for his inherent goodness no matter how "evil" his superficial trappings may be. How refreshing it owuld be to hear a political candidate say: "I don't believe in God, but in the protection of citizens' health and safety.
I plan on placing my friends in executive positions. I will pocket what funds I can get away with, but see that the rest is spent on necessary social improvements.
You will have no voice in my decisions any more than you ever had. You will have to accept my judgment, which you will, so long as you are reasonably comfortable, have freedom of movement and opportunity for advancement.
If I succeed in fooling the public, the public will have themselves to blame. For I warn you that I am as crooked as any politician can be. Despite my unsavory profession, I will try to keep all of you as happy as possible. Dennis Wheatley was a blighty hack who shuddered pudding- faced Englishwomen to sleep in their flats.
A renegade named Seabrook wrote about strange doings among werewolves and lady vampires and, incidentally, whose Asylum was the original Cuckoo's Nestand two guys named Symonds and Mannix chronicled, respectively, the exploits of "the wickedest man in the world" and the Hell Fire Club. One could obtain the Sixth and Seventh Books of Moses and the Albertus Magnus in paper before they were called paperbacks. An old man named Roy Heist made good copy selling "mummy's dust" to witchdoctors.
Sure, there was an occult movement before the Year One -- a movement like a slumbering wino shifting position in a doorway. No detailed chronology is required to illustrate the events of the past ten years. Concurrent with the increasingly liberal social climate of the 60s, many former taboos became relaxed. The Dark Side displayed itself in polite society, where beatnik poets and bongo drummers had flourished, where witches and tarot readers held court.
No matter how innocuous an esoteric act or voluble its practitioner's disclaimer, the Devil was to blame. TV- movie adaptations of classic Gothic ghost stories were pushed as "Satanic. Despite curanderas' murmurings of "God given powers," fundamentalists still denounce them as part of the occult movement and minions of Satan. The lack of imagination and staying power of the occult movement is showing through the veneer of the incompetents who fill its ranks. As the varnish peels away, the occultist's image has become almost as ridiculous as the bible-thumping evangelist's.
The Church of Satan could easily become a psychical Ellis Island of refugees and emigrees from the occult scene. Displaced persons who have lost their covens, day magi wear of pondering the Enochian Keys and Crowleyanity, chasuble queens who couldn't make it in the Catholic Church, woebegone wiccans who find that the Goddess's bosom has run dry, Egyptoids who'd be better off as Shriners or in Laurel and Hardy's Sons of the Desert, pyramid sitters who've gained nothing but claustrophobia, Atlanteans who get seasick, UFO-ites who've redefined gravitational law but can't chin themselves, witless wizards, sex-starved witches, despite diviners, pshort-psyted psychics -- all the growing residue of a phenomenon that, because of its very popularity, HAD to lose the magic it purported.
Satan translates to mean "opposite," lest the Satanic Bible be forgotten. The essence of Satanism is what tips the balance and starts the pendulum swinging in the other direction. That is why the facts of Satanism are so often harsher than the most Gothic melodrama or speculative science-horror fiction.
This actual harness is registered in the dismay of some new applicants who had been enmeshed in the waning occult scene. Nonetheless, I realize that with the decline in the occult movement as a credible identity factor, we have been blessed with an influx of salvageable human potential from the aforementioned categories, as well as "non-joiners" who had been waiting until the dust settled.
Thus, the elitism I envisioned in the beginning has materialized fourfold. In ten years of existence, the Church of Satan has fueled a philosophical counterculture which could have, if unchecked, thrown the baby out with the bath water. It invoked imaginative permissiveness, rational self-interest, and forced a dying theology into ludicrous last ditch behavior witchmobiles, papal pronouncements, etc.
It also pumped hordes of creeps up till their newly-discovered godheads developed leaks or just plain busted. The ad sections of Fate magazine contain as prolific a source of gifted psychics, institutes of cosmic consciousness, and pushers of awareness as can be found in the contact columns of swingers' tabloids or underground newspapers.
Add the parasitic fringe: the "ex"'s who seek recognition as ex-witches, ex-Satanists, ex-orcized, or any other wish-they-could-have-but-couldn't-cut-it types. Yes, the occult movement has provided countless persons with delusions of adequacy.
Why has Satanism succeeded? Because from our earliest literature, through the Satanic Bible, we have made no grandiose promises of infallible enlightenment and emphasized that each must be his or her own redeemer. That the extent of one's superiority if any is governed by one's human potential. That "Satan" is a representational concept, accepted by each according to his or her needs.
That is the way it was in the beginning, that is the way it is now. We have rejected that which becomes faddish while championing the unfashionable.
When the "monkey see, monkey do" syndrome appears, even on the Left Hand Path, then we don't. We have defied categorization, confounding labelers, knowing that the one label we bear -- Satan -- is controversy in itself.
In looking back over a decade, it is easy to isolate each phase of our development. It has been not only rewarding as a lesson in behavioral psychology, but has inadvertently served as what sociologists refer to as an "unfunded research project. The Second Phase, Development, saw an organizational and institutional expansion as a result of carefully stimulated exploitation attracting a variety of human types from which to distill a Satanic "ideal. The Satanic Bible, Satanic Rituals, and Satanic Witch might have been conveniently overlooked, but were readily obtainable to any who chose to gain knowledge of our doctrine and methodology.
An aura of respectability prevailed -- often to a point of overcompensation -- to counterbalance inaccurate presumptions by the outside world. De-institutionalism separated the builders from the dwellers, thus filtering and stratifying what began as an initiatory organization -- or persuasion -- into a definite social structure. The Fifth Phase, Application, establishes tangible fruition, the beginning of a harvest, so to speak.
Techniques, having been developed, can be employed. The Myths of the Twentieth Century are recognizable and exploitable as essential stimuli. Human foibles may be viewed with an understanding towards radical embellishment. The Ides of March had spent its madness and the equinox produced its climatic.
At dusk on the eve of the new Satanic Age, I immersed my razor in the waters of Zamzam and embarked upon a new role. I sometimes wonder, would things have been any different without ceremony? Did a ritualistic catalyst help to convince this Pyrrhonic devil that his destiny was being properly exercised? Symbolism, ritual, ceremony, totem and taboo will always exist and develop or wane as conditions dictate. As Satanists you must perceive such things and having perceived, select or reject in accordance with you needs.
Countercultures invariably wind up as dominant cultures. When the occult hidden becomes fashionable, it is no longer occult. Yet there will always be a Dark Side. It is the natural Satanist who will be drawn to the abyss of difference, whether it be abstract or concrete.
Those who have tarried these part short years in fixe d abstractions can feel the warmth provided by their temporal identities cooling. Frightened, they know not what icons to take up, and are befuddled with devaluated doctrines and constrained by programmed hypotheses. Many will become "Satanists," who would once have shunned the name. Others will continue to eschew the name, yet survive on the byproducts of Satanism, as they have unwittingly or unadmittedly done in the past.
For those who are the lost, the disenfranchised, the bored, the ambivalent, we have prepared a place. The past decade has been the years and given me the feedback any symbolic leader requires. To those of you who were with me in the beginning when the show got on the road, and to you who have since become a part of us in mind, body, or out of just plain orneriness, I am grateful for you support. Living well is still the best revenge against all adversity. Love, laugh, fancy, create, innovate, reap and revel -- as Satanists -- in the best of all worlds, World without end.
Remember, the first 99 years are always the toughest. By Any Other Name Many are those who study the art of the children of darkness, who call themselves by the names of witch and warlock, who gaze at crystals, read the tarot, divine by divers means, and seek success through paths of magic.
All these play at the Devil's game and take the Devil's tools in their quest for crumbs of power. In the name of all who suffered and died as the agents of the Devil in ages past, the present band of heretics -- those who would deny the Devi, yet play His game -- must be called to task. Greater is their folly than the strictest Protestant, Catholic, Jew, or Buddhist. More cowardly are they than the whining informer who plucked at the sleeve of the inquisitor. More flagrant is their hypocrisy than he who reads pornography "in order to warn others.
So now we see them as they swarm about us, purchasing the journals of deceit, the source-books of diabolical supplies, the catalogues of the magical art. They read, and read, and contemplate, and read some more. They study the rites of Lucifer, and the mysteries of creation and the spell and charms, and they call themselves by innocuous names. And they play at the games which caused our forebears to be tortured as agents of Satan.
And what do they do, now that it is safe and clear to use His Great Infernal Name? They deny him! They have the opportunity to take up the very creed of defamation which killed their brothers and sisters of the past and cast that creed before the world in triumphal mockery of its age of unreason.
But no He is denied. Denied by those who cry up His art and ply His work. In the safety of their flimsy dens they say the calls. In the warmth of their parlors they push their planchettes and read the cards and cast the runes and call forth the dead and even wear the horns.
Seldom in these places is Satan found. For these are the frightened mystics of the new Christianity, and the trembling cowards scurry 'round the openings to the Grottoes of Hell. And like vermin, they furtively nibble upon the newly-emerged Devil-wisdom.
Little do they realize the folly of their cowardice. Ages come and ages go, and cycles reverse themselves with the wondrous periodicity that only nature can sustain, and now we walk upon the upper world. Those who play the game of self-denial in its traditionally simplistic forms, and showed themselves consistent in their Christ-mongering can find absolution from their sins within our fold.
Knew they not, the tortured, that one day men would ply the Devil's handiwork; the work that was grounds for rack and candle. Knew they not, the Knights of the Temple, that one day men would fashion spells in the clear moonlight, free form the snare of the heretic-hook; yet deny and denounce the benediction of Satan!
The tongs have gathered rust, and the racks snarl as they turn from lack of oiling. The morningstars have dust between their spikes and the iron maiden is cold and yearning for a lover to embrace. The ghosts of the Devil-bought will take up the instruments of their destruction and march forth. And their prey will be those scavengers of the arts which once meant Devil-wisdom, and to this day remain as such.
Let it be known that every man who delves into the arts of darkness must give the Devil and His children the due their years of infamy deserve. Satan's Name will not be denied! Let no man shun or mock His Name who plays His winning game or despair, depletion, and destruction await! The Combination Lock Principle Magic is like a combination lock.
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