Django Reinhardt - Django Reinhardt Vol. 1 (Vinyl, LP)

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This offer is for new subscribers only. Terms apply. In the Classic Albums documentary on the making of Paranoidguitarist Tony Iommi recalls that "War Pigs" came from "one of the clubs" with Butler adding, "During the song "Warning" we used to jam that out and that particular night when we were jamming it out Tony just went da-dum!

It looks like a fridge with a knob on. The album's opening track "War Pigs" was originally intended to be called "Walpurgis".

That's who the real Satanists are, all these people who are running the banks and the world and trying to get the working class to fight the wars for them. We sent it off to the record company and they said, 'No, we're not going to call it that.

Too Satanic! Then we changed it to 'War Pigs', and Geezer came up with these heavy duty lyrics about death and destruction. No wonder we never got any chicks at our gigs. Geezer just wasn't interested in your average 'I love you' pop song Geezer also liked to put a lot of topical stuff, like Vietnam references, into our songs.

He had his ear to the ground, Geezer did. The song "Iron Man" was originally entitled "Iron Bloke". Upon hearing Iommi play the main guitar riff for the first time, Osbourne remarked in awe that it sounded "like a big iron bloke walking around". The title was later changed to "Iron Man" as bassist and lyricist Geezer Butler composed the lyrics. Tony Iommi turned out to be one of the greatest heavy rock riff-makers of all time. Whenever we went into the studio we'd challenge him to beat his last riff — and he'd come up with something like 'Iron Man' and blow everyone away.

In the process of returning to the present, he is turned into steel by a magnetic field. His attempts to warn the populace are ignored and mocked.

This causes Iron Man to become angry and vengeful, causing the destruction seen in his vision. In The Last Supper concert film, Iommi remembers that at the time with most bands "it was all the 'flowers in your hair' and we wanted to sing and play about the other side of life.

My father worked nights, my mother worked days, we had no money, we never had a car, we very rarely went on holiday And suddenly, you know, we hear about 'If you're going to San Francisco be sure to wear a flower in your hair'.

And we're thinking, contemptuously 'What the fuck is San Francisco? Where is this? What's all this flower shit? I've got no shoes on my feet. Bob Dylan had long since faded from the present memory and there was nobody talkin' about the things that I wanted to talk about — political stuff — so that's what inspired me. InButler told Mojo magazine that the song "Paranoid" was "about depression, because I didn't Django Reinhardt - Django Reinhardt Vol.

1 (Vinyl know the difference between depression and paranoia. It's a LP) thing; when you're smoking a joint you get totally paranoid about people, you can't relate to people. There's that crossover between the paranoia you get when you're smoking dope and the depression afterwards. I'd cut my arms, stick pins through my fingers, that kind of thing. I used to get really depressed and it was the only thing that could bring me out of it.

If Sabbath hadn't made it, I'd have been long dead. I'd have killed myself. They were our favorite band by that time.

Iommi admitted that the band had doubts about the mellow number, telling Classic Albums"It was almost one of those 'Should we do this? So it was about floating through the universe with your loved one, instead of 'Let's go down to the pub and have some chips', or whatever Just taking a spaceship out into the stars and having the ultimate romantic weekend. There was no programs telling you that the US troops in Vietnam, to get through that horrible war, were like fixing up and all this kinda thing.

It just stuck in me head and when we got to "Hand of Doom", that's what I wrote it about. Paranoid was originally titled War Pigsbut the record company allegedly changed it out of fear of a backlash from supporters of the ongoing Vietnam War.

Ozzy Osbourne states in I Am Ozzy that the name change had nothing to do with the Vietnam War, and was entirely due to the record company deciding the album would be easier to sell if it was named after the single, which had already had significant success by the time the album was released, reaching number 4 on the UK Singles Chart.

Released in Octoberit reached No. The song was written after Chandler insisted the band write an original song as their next single. In fact, I think you've written your first No. Immediately booking the band into Olympic Studios in Barnes, the song was recorded in two days. Although Chandler liked the song, the band were less enthusiastic as they believed it to be too poppy and weak-sounding in comparison to "Get Down and Get with It".

In the effort to make the record more Slade-like, the band added foot-stomping and hand-clapping to it. Furthermore, the band thought the original title, "Because I Love You", did not suit the band's image or sound.

Holder then suggested spelling the title to reflect their Black County dialect. In a interview with SoundsLea said of the song: "I didn't even like some of those old ones. It shot to number one in two weeks and we thought, "What a pile of shit! I took my violin with me and said why don't we do a Stephan Grappelli thing. We got the structure of the tune and Nod just filled in the gaps. That's the only song we've ever written like that.

In America, it was released by Cotillion. It was also included on the compilation B-Sides. In and again inthe single was re-issued in Germany. No music video was filmed to promote the single. Q: When you did these great lyrics, did you sit down and work them out or…. A: That song came very quick, usually in those days songs came very quick to me, just like you hear the riddim, listen the riddim, and then [snaps his fingers] the inspiration just come.

A: Yeah [pants several times]! And Scratch laugh and say he running from something, police want him or something. A: Yeah. I think it LP) Horsemouth [Leroy Wallace] playing a little melody. You mean the world to me. It never press a lot but it a good song. It sound good. It could have sold a lot if I had press more. That was a nice one too. DJ version. A: [laughing] Jim Screechy mean when a man coming up on you dodging.

Hide and seeking. Not coming up full to you. Chat behind your back. So me say never do them thing deh. A righteous Rasta man never deal with that. Me and Scratch mostly used to put things together by-clipping through things that happening and take things from it. We do Colombia Colly and then we do a lot more songs, which is where I gone and do my thing from then. And just hang on until now. He lift up my eyes onto the hills from whence come my help. I have come from Jah which made heaven on earth.

By his protection the sun shall not smite me by day nor the moon by night. My group. And later for Rupie Edwards me and Joe Higgs sing it and he say him write it. I saw a canoe passing, which him row with two stick. The old-time canoe, they row them with stick. Me used to love the sea Sunday morning time. Where it come from. They only sing it. And gone home. And the Congoes record it and say it is them write it. I have a lot of songs that I write which I never get credit for because I never know much about performing rights.

But the rights of them, the original work, is mine. But we do some great works at Upsetter studio. Nuff songs. Nuff song that people create them not even know where it Django Reinhardt - Django Reinhardt Vol. 1 (Vinyl from. Scratch always had enough words. He called me Jah Lion.

LP) he called me Jah Lion different from Jah Lloyd…. This interview was first published in The Beat in DanceCrasher would like to thank Mike Turner for giving us the opportunity to reproduce it. Respect to Jah Lion. Francis began his singing career with the Mediators in the mids. At the end of the decade, he recorded for Rupie Edwards and Lee Perry. For a while, Francis became their record salesman, frequenting the studios and getting closer to King Tubby, with whom he studied the technical aspect of music.

In the early 70s, Pat Francis started producing and founded his Teem label. On the refined rythm of Ain't no sunshine, Jah Lloyd performs an ample and energetic toast while the second side features a masterful version of the legendary trombonist Vin Gordon with the superb Rebel Rock.

Great music. Muddy Ibe is legendary with his unique way of rendering his highlife. He lives on. The dada is full of music, inspiration, composition and admonition. His genres include highlife, country, folks and world music. He had a unique voice that set him different from other highlife artists. He always talked about enemy pursuing him in his song. Igbo highlife artists who had disagreements would use music to sub each other back in the days.

Captain Muddy Ibe was a great man. The musical instruments he employed always make his songs unique and every head nods to the rhythmic patterns of them.

Captain Muddy Ibe is dead but his son Otigba Ibe has taken the wheel of microphone after him. Honolulu, Hawaii. This soothing audio head massage is much needed in these stressful times. Probably not. This one is. We had to reference three different sources to get the best sound: reels, vinyl and cassette. Operating from his lifelong base of Honolulu, Hawaii, Lyman and the musicians he worked with released a large quantity of albums over a near year period that brought his particular mixture of Polynesian sounds and Afro-Cuban rhythms to a wide audience, all across the planet.

Thanks to the efforts of Roger Bong's Aloha Got Soul label, we can now enjoy all that it offers once again, though vinyl and digital reissues.

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