Reverbs, then delays are the most commonly used - if you're in need of a high quality reverb try Ambience and for delay, give Big Tick's Dual Delay. Both are free and cross-platform. If you're using reverb or delay send effects on sounds that have a large amount of low end, you can curtail the amount of bass output from the send effect by adding a high-pass filter at any point of the Key-Ff2 - No Artist - Sound Pool (Deep House / Progressive House) (CD) chain.
When you're using a lot of percussion sounds, you can find more space to squeeze sounds into the mix by panning their stereo positions - if you pan all your drum sounds dead centre they can become one indistinguishable mass. Again, mda Image is useful when you want to do this. While sidechain compression is generally used more in cheesy pop house, it's still worth employing in deeper forms of the genre.
If you feel the need to emphasise your kick drums, sidechain them with a group featuring your track's musical elements. This will help the kicks punch through the mix a fair bit more. Dub effects can be useful for creating textures and atmospheres, so it's always worth having a half-decent delay lying around. Bionic Key-Ff2 - No Artist - Sound Pool (Deep House / Progressive House) (CD) and various other dub-inspired effects are available from www.
By automating the feedback level, you can create delay crescendos and sweeps - perfect for building up intensity or adding atmosphere to your tracks. Funky filtering effects can be created with the use of a vocoder plug-in.
This can be used to modulate sustained instruments such as synth strings with drum loops or vocals to make highly rhythmic, textured effects. Try bouncing down your vocoder experiments and then cutting them up to get the best bits. These can then be looped and delayed to create interesting pad effects.
If you intend to use an acappella to add vocals to your tracks, remember that you're not just limited to using it straight. Cut-up phrases can be spliced together to create new, less obvious vocal riffs.
Key-Ff2 - No Artist - Sound Pool (Deep House / Progressive House) (CD) than using sounds in a single track, deep house is more about getting the most out of each individual element and working it into the track to create a seamless whole. If Key-Ff2 - No Artist - Sound Pool (Deep House / Progressive House) (CD) lead sound has its filter cutoff frequency tied to an LFO, for example, you can try turning up the LFO rate to a high speed to change the lead into a sound effect.
This technique can be useful when you want to create transitions between different sections of your track. All key-labeled as standard. Key-labeled as standard and served at bpm.
Key-labeled throughout. All loops are key-labeled and tempo-synced at bpm. All key-labeled for your convenience and served at bpm. Stacks of vibing hat loops and jacked percussive rhythms, painstakingly programmed to ensure maximum bump and groove!
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