King Crimson - American Tour 1974 (Vinyl, LP, Album)

Tom Hull — on the Web. Retrieved 2 September Retrieved 23 December World Intellectual Property Organisation. September Archived from the original on 1 September Cornell University Law School. IPRinfo Magazine. IPR University Center. Retrieved 16 October USA Today. Associated Press. MartignonF. Retrieved 19 December Belfast Telegraph. Archived from the original on 23 May Retrieved 14 April King Crimson - American Tour 1974 (Vinyl Cummings, Alex Sayf Oxford University Press.

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Auslander, Philip Buckley, David London: Virgin Books. Buckley, David [First published ]. New York: Random House. Campbell, Michael Popular music in America: the beat goes on. Cann, Kevin Croyden, Surrey: Adelita. Carr, Roy ; Murray, Charles Shaar David Bowie: An Illustrated Record. New York: Avon Books. King Crimson - American Tour 1974 (Vinyl, Robert Boston: Ticknor and Fields.

ISBN X. Retrieved 21 November — via robertchristgau. Doggett, Peter New York: HarperCollins Publishers. Griffin, Roger David Bowie: The Golden Years. London: Omnibus Press. Inglis, Ian, ed.

Farnham : Ashgate Publishing. Jones, Dylan Larkin, Colin All Time Top Albums 2nd ed. All Time Top Albums 3rd ed. The Encyclopedia of Popular Music 5th concise ed. O'Leary, Chris Winchester, UK: Zero Books. Pegg, Nicholas London: Titan Books. Yes - "Heart of the Sunrise" From: Fragile But "Sunrise" has trouble earning its due — a lot of people overemphasize the possible influence of King Crimson's "21st Century Schizoid Man," particularly on the chromatic opening riff.

The piece casts a shadow all on its own, not just as a footnote or building block. Pink Floyd - "Dogs" From: Animals Pink Floyd unveiled this minute behemoth, then using the rough title "You Gotta Be Crazy," live in But they made some significant tweaks for the final studio version on Animals : dropping the key, taking the weed-whacker to Roger Waters ' verbose lyrics of human ruthlessness and deception.

Every band member is at his peak here: Richard Wright uses a full arsenal of keyboards, creating texture via synth-strings, soulful Fender Rhodes and dissonant Minimoog figures. But David Gilmour is the clear MVP, moving from syncopated acoustic strums to stacked, harmonized electric leads. In the prime Camel days, guitarist Andy Latimer and keyboardist Peter Bardens were completely synchronized — their writing styles, both defined by oceanic melodies and tight band arrangements, were almost impossible to pull apart.

No better example than "Song Within a Song," where synth and flute crescendo into a lightly fusion-y instrumental sprint. Keep that bit! No, not that bit! So it was very much a give-and-take sort of relationship. It's not worth picking apart the goofy lyrical concept for "Tarkus," which involves the battles of a futuristic armadillo-tank Anyway, Greg Lake could make just anything sound profound. His charismatic belting is the engine that keeps this mutant King Crimson - American Tour 1974 (Vinyl running more than 20 wild minutes — allowing plenty of space, naturally, for Keith Emerson 's virtuoso workouts on Hammond organ, piano and Moog.

In their prime, Premiate Forneria Marconi were masters of sonic variation, just as natural lifting you into the heaven as they were yanking you down into hell. And that's just the first three minutes. Italy's Banco del Mutuo Soccorso had sweet acoustic ballads and catchy choruses up their sleeves, but few could match the splendor of their longer, more elaborate works.

Otherwise known as "that one '70s rock song where the guy yodels. In a performance so virtuosic it borders on hilarious, singer Thijs van Leer also eefs, scats, whistles, uses the overblowing technique on his flute, bounces merrily on his Hammond organ and skyrockets into operatic high notes.

But the song is more than novelty acrobatics, grounded by Jan Akkerman's scorching hard-rock riffs and Pierre van der Linden's jazz-rock drum solos.

The reworked "Hocus Pocus II" revs up the speed but loses a bit of the nuance. It's hard to separate these two pivotal pieces, even Album) they technically booked the group's fifth LP. But the second part, with its frightening metallic edge, would stand out on any album, even one this unique. Then again, that title already had Roman numerals, a hyphen and a colon, so it would have been tough to fit in anything else.

King Crimson - American Tour 1974 (Vinyl instrumental "La Villa Strangiato" may stretch out to almost 10 minutes, drawing moods from Alex Lifeson 's real-life nightmares, but it's tasteful and focused overall — full of hard-rock riffs, swinging jazz grooves and volcanic solos.

Yes - "Awaken" From: Going for the One To say the least. The centerpiece of their eighth LP, Going for the Oneis a miniature rock symphony in the tradition of "Close to the Edge" — full of drastic shifts in texture and tone. The scattered pieces feel like they shouldn't fit: Steve Howe 's aggressive main riff, full of harmonic pings and vigorous slides; Rick Wakeman 's ghostly church organ; Anderson's new age musings " Awaken, gentle mass touch!

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Archived from the original PHP on 7 November GfK Entertainment Charts. RoppongiTokyo : Oricon Entertainment. UK Albums Chart. Retrieved 24 August Archived from the original on 12 May Retrieved 2 April Archived from the original PHP on 21 February Retrieved 29 January Music Canada. British Phonographic Industry. Retrieved 21 April Buckley, David London: Virgin Books.

Buckley, David []. Bowie: An Illustrated Record. London: Eel Pie Publishing. Doggett, Peter O'Leary, Chris London: Repeater. Pegg, Nicholas London: Titan Books. Rule, Greg Electro Shock! San Francisco: Miller Freeman Books. Sandford, Christopher [First published ]. Bowie: Loving the Alien. London: Time Warner.

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