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Retrieved November 16, Select "" in the "Anno" drop-down menu. Select "Thriller" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
Recording Industry Association of Japan. Archived from the original PDF on October 5, Trouw in Dutch. Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Enter Thriller in the "Artiest of titel" box. July 17, May 19, March 21, On 1 AugustU2 regrouped in Dublin to resume work on the album and begin the recording stage proper.
I think there were a lot of headaches, isolating people and having to build baffles around the place. Lanois said that most of the record was done there,  and that it was the preferred location for mixing. Robertson was in Ireland to complete his self-titled debut solo album that he had begun with Lanois.
As the sessions progressed, U2 attempted to record a suitable take of the song " Where the Streets Have No Name ", which began as a demo that the Edge had composed by himself. However, the group struggled with the chord and time signature shifts,  forcing significant "screwdriver work" to fix a recorded version of the song. Ultimately, the erasure never occurred. The vocalist had another set of lyrics for most of the record, but the other group members were dissatisfied with them, forcing rewrites.
After a creative spurt in October resulted in new song ideas,  Bono proposed that the group release a double album. There was this one album, the 'blues' album that Bono was talking about, LP another, much more 'European', which is kind of the way I was led. If we even consider any of them we'll still be here in three months time. Rough mixes had been created throughout the sessions after each song was recorded to, in Lanois' words, take "snapshots along the way The final weeks were a frantic rush to finish, with the band and production crew all suffering from exhaustion.
Eno and LP had minimal involvement with the final mixes,  as they had other commitments. Facing understaffing,  in late December, U2 hired Steve Lillywhiteproducer of their first three albums, to remix the potential singles and make them more appealing to commercial radio.
On the night before the 15 January deadline set by Island Records to complete the record, the band and the crew completed mixing. The band told her to put "Where the Streets Have No Name" first and "Mothers of the Disappeared" last, with the rest sequenced according to her preference.
It wasn't happening for The Joshua Tree and she came in and she organized it and it worked as an old-fashioned album: a beginning, middle and end. In the morning, Meegan and Lillywhite flew with the album's tapes to Island's offices in HammersmithLondon. Following the completion of the album proper, U2 returned to the studio with Meegan and McCarthy to complete the new material they had shelved in October.
The track was re-recorded as a single for the group's compilation The Best of — After completing The Joshua TreeBono said that he was "as pleased with the record as I can ever be pleased with a record", calling The Joshua Tree their most complete album since their debut. U2 is credited with composing all of The Joshua Tree ' s music.
The Edge's guitar playing on The Joshua Tree is characteristic of what came to be his trademark sound. His minimalist style sharply contrasted with the emphasis placed on virtuosity and speed by heavy metal in the s. The Edge views musical notes as "expensive", preferring to play as few of them as possible and to instead focus on simpler parts that serve the moods of the songs. The Edge continued to employ the ambient techniques of guitar playing that he used on The Unforgettable Fire ; for "With or Without You", he used a prototype of the Infinite Guitar to add layers of sustained notes, an approach he first took on his solo album, the Captive soundtrack.
Much like on past records, Bono exhibits an expressive, open-throated vocal delivery,  which many critics described as "passionate". Bono is credited as the album's sole lyricist. Anger is directed particularly at the perceived greed Album) the Ronald Reagan administration and its foreign policy in Central America. As such, the desert, rain, dust, and water appear as lyrical motifs throughout the record.
Most people would take the desert on face value and think it's some kind of barren place, which of course is true. But in the right frame of mind, it's also a very positive image, because you can actually do something with blank canvas, which is effectively what the desert is. So having fallen in love with America over the years that we've been there on tour, I then had to 'deal with' America and the way it was affecting me, because America's having such an effect on the world at the moment.
On this record I had to deal with it on a political level for the first time, if in a subtle way. Political and social concerns were the basis for several tracks. Bono wrote the lyrics for "Bullet the Blue Sky" after visiting El Salvador during the Salvadoran Civil War and witnessing how the conflict between rebels and the US-backed government affected local civilians. The story of a heroin -addicted couple was the basis for "Running to Stand Still", which Bono set in the Ballymun Flats residential towers in Dublin near which he was raised.
Bono described as "an incredibly bad year" for him,  which was reflected in the lyrics. His marriage was under strain, in part due to the album's long gestation period, the band were criticised by the Irish media for their involvement in Self Aid, and his personal assistant Greg Carroll was killed in a motorcycle accident.
That year was really a desert for us. The group's religious faith was a source of inspiration for many lyrics. Designed by Steve Averill the album sleeve was based on U2's request to depict the record's "imagery, and cinematic location" in the desert. Over several days in December  U2 travelled with Corbijn and Averill on a bus around the Mojave Desert for a photo shoot.
This led to him focusing on the background and leaving the band slightly out of focus. Corbijn said, "Fortunately there was a lot of light. The photo shoots took place in the mornings and evenings, with mid-days spent travelling and on preparation. On the evening after the first day's shooting, Corbijn told the band about Joshua trees Yucca brevifoliahardy and twisted plants in the deserts of the American Southwestand he suggested their use on the sleeve.
Bono explained, "it was freezing and we had to take our coats off so it would at least look like a desert. That's one of the reasons we look so grim. It was definitely the most serious, I think, that you can photograph a band. You couldn't go any further down that line unless you start photographing graves. For the vinyl record release, Corbijn originally wanted to have a shot of the Joshua tree on the front of the sleeve, with U2 in a continuation of the photograph on the back.
The centre gatefold showed an image of U2 with the Joshua tree in the middle; a mirror used by them to check their appearance was mistakenly left in frame. Since the compact disc was a relatively new format at the time, the creative team decided to experiment with the album cover, selecting different cover images for each format on which the album was released; the original compact disc release used a blurry, distorted photo of the band, while the cassette used a clear, but alternate photo.
Later CD reissues used the LP photo. The tree photographed for the sleeve fell around yet the site remains a popular tourist attraction for U2 fans. Just prior to the release of The Joshua TreeBono was stricken with a sudden panic about the quality of the completed album. He said that he contemplated calling the production plants to order a halt of the record's pressing, but he ultimately held off. The Joshua Tree debuted on the UK Albums Chart on 21 March at number one withcopies sold in its opening week, making it the fastest-selling album in UK history to that point.
This edition rectified the incorrect track splitting between "One Tree Hill" and "Exit" that affected some CD releases; the quiet coda that concludes "One Tree Hill" had previously been included in the same track as "Exit".
Following its 30th anniversary reissue, The Joshua Tree re-entered the Billboard chart the week of 8 Juneclimbing to number 16—its highest position on the chart since 13 February Considine of The Baltimore Sun said that the album's songs "draw upon every musical strength U2 has developed over the years" and that the "sheer muscular physicality of its sound" set Rattle and Hum apart from its predecessors. He said that despite the record being "occasionally pretentious", the group "never seems out of its depth" amongst the guest artists.
The record, in every sense, of their lives". The review found the cover songs to be the weakest material but judged Rattle and Hum overall to be a "solid, versatile piece of work" that "leaves much of the best until last".
It was pulled by NME editor Alan Lewis, as it was feared that criticism of U2 would affect the magazine's circulation;  Sinker resigned in protest. His review partner Gene Siskel was more complimentary, praising the group's performance with the Harlem gospel choir as "powerful and emotional" and calling Bono's statements during "Sunday Bloody Sunday" the film's highlight.
He said that the band's "attempts to place themselves in the rock continuum are fairly strenuous and more than a little presumptuous". She said the film "does nothing to pierce the band's vagueness" and that they were upstaged by B. King and the Harlem gospel choir. Millman judged that the cinematography's "gargantuan pomposity He said that "many of the individual components of [the film] are excellent" but that Joanou failed to tie them together. Michael MacCambridge of the Austin American-Statesman disagreed with the film's detractors, calling it a "very good and at times excellent concert movie" whose "studied avoidance of drifting into self-parody" distinguished it from predecessors and headed off comparisons to This Is Spinal Tap.
MacCambridge enjoyed the black-and-white footage of the band "in the middle of becoming legend" and their scenes with B. King and the Harlem gospel choir, but thought the switch to colour footage interrupted the film's "pace and momentum".
Silverman praised the documentary scenes with the individual band members and the "beautiful artistic" performance footage, and said the director "succeeded in bringing U2 to the screen in a creative, introspective and exciting film that will add to the legend and preserve the integrity of the decade's most influential contribution to rock". She said, "If there is to be a standard against which future rock movies will be judged, 'U2 Rattle and Hum' is it.
He thought that despite Joanou not setting the proper context for the film or conducting an engaging interview with U2, "he matches the impassioned sounds with spectacular visuals". That's not the way records are marketed. It's much more subtle and I think a lot of the band's old fans found it distasteful.
The aftermath I think, quite honestly, was that no one wanted to hear about U2 for a while. Despite the criticism, Rattle and Hum was a strong seller, continuing U2's burgeoning commercial success. It hit number one on the US Billboard albums chart, remaining at the top spot for six weeks; it was the first number-one double album in the US since Bruce Springsteen 's The River in In the UK, it soldcopies in its first week, making it the fastest-selling album at that point a record it held until the release of Oasis 's Be Here Now in It changed when the movie, which was initially conceived of as a low-budget film, suddenly became a big Hollywood affair.
That put a different emphasis on the album, which suffered from the huge promotion and publicity, and people reacted against it. Inwhile at a press tour in Sydney, Australia where U2 were touring with B.
All lyrics are written by Bono ; all music is composed by U2except where noted. From Wikipedia, the free encyclopedia. Release date. Running time. Retrieved 10 August Rolling Stone. Retrieved 2 July Internet Movie Database.
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