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Sometimes entire videos are built around this, such as her reviews of The Phantom of the Opera and RENTPsycho Woman - Theatre Of Hate - Act 3 (CD) well as portions of "Mask Off" note which has her downing real tequila at one point, whereas the other instances were not actual alcohol.
Her response to the Addison Cain lawsuit in particular culminates in a sight gag of her downing multiple containers of alcohol. All while a dramatic reading of an actual response from Addison Cain's lawyer alleging a mass conspiracy between her and numerous third parties based almost entirely on Insane Troll Logic plays in the background.
Informed Ability : One of her most common critique points of later Game of Thrones is that characters like Sansa, Varys, and Tyrion, who are meant to be brilliant manipulators and strategists, end up being written like self-satisfied idiots. This causes their Character Shilling to fall on deaf ears, and makes their contribution to the Daenerys subplot all the more problematic—the viewer is meant to take their distrust of Daenerys and her growing distance from them as ill signs, but it instead seems like they're being dumbasses as usual and Daenerys is being unusually patient with characters who are functionally The Millstone.
Inherent in the System : In "Mask Off," Lindsay discusses in great length what a complex and pervasive issue systemic racism is, and how it can't be reduced to just individual internal character flaws.
That it can't be reduced to just, "There are the racists, the non-racists, and Psycho Woman - Theatre Of Hate - Act 3 (CD) we just publicly shame and cast out the racists, we will have a more just society. That people are more likely to like, share, and comment on tweets that evoke a sense of outrage in order to dunk on them.
And it's much harder to engage in complex social issues and hate mob mentality when social media is structurally designed to perpetuate and reward simplistic "good people vs bad people" public outrage. Innocence Lost : A focal point of Lindsay's The Hobbit trilogy is of people losing their sense of innocence through disillusionment in media resulting from real-life consequencesciting To Kill a Mockingbird and Kesha as other examples.
This is paralleled through Lindsay's trip to New Zealand: she leaves hoping to reclaim part of her childhood innocence formed by The Lord of the Ringsbut after realizing the sheer scope of damage The Hobbit resulted from as well as resulted in, she returns even more jaded than before. In Spite of a Nail : She comes down hard on Bright for this, where despite its self-proclaimed importance of Alternate History regarding the Dark Lord and the war of nine races 2, years ago, the present-day world looks almost exactly like it does in real life, with Los Angeles, the Crips, the Alamo, and Shrek existing, even though they don't make any sense within the film's timeline.
She argues that difficulties surrounding this trope is why Alternate History fiction is so rare, and why works like Bioshock Infinite and The Man in the High Castle diverge much closer to their present only in the last few decades or so. Lindsay : You cannot include elements from our real world without importing the history that comes with them.
Lindsay : Would you say that about food? Like "Some food's not supposed to taste good, okay? Lindsay : Kind of nice to be able to stop blaming all of our problems on misfortune, bad people, and short-sighted international policy made in America's own self interest when we can just say it's all Hydra's fault! Lindsay: Megatron accidentally etching coordinates to the MacGuffin inside another MacGuffin I'll buy, a magical glowcube that's the progenitor for all the alien robots that turn into Camaroes I'll buy, but that one of them displays female secondary sex characteristics and is pink?
I dunnoooooo, man I'm going to have to absorb more of Optimus' robo-pecs and enjoy his deep, manly voice while I smoke on this for a little while. Lindsay: invoked The first film brings up issues of gender inequity and how men don't take women seriously because they are objects to them, but then at the same time objectifies Mikaela to the point where for most viewers, she's impossible to take seriously because she's so impossibly beautiful, so impossibly dressed, so objectifyingly framed.
Her impossibility is not in the text, but in the frame. I'd argue that it wasn't even the second. But it was also kind of the first. I, cuz it was the first in, well, anyway. Lindsay: And this is kind of a running theme with Cain's aspersions against people.
Like, Milan isn't barred, therefore she cannot opine on the whole case unless it's in favor of Cain. And Margarita Coale doesn't know what she's doing because she WAS a bankruptcy lawyer at some point in history, even though she's not anymore.
Lindsay : See, over-explaining everything in this case not only insults the intelligence of the audience — Psycho Woman - Theatre Of Hate - Act 3 (CD) is perhaps deserved because there is a certain sect of film commentators who have built careers off of complaining that their hands are not being held through the entire narrative — it also diminishes what should be a fairly simple but powerful story about love, forgiveness, redemption, and discovering your best self.
Rando: I've never, uh, participated in someone's death. Lindsay: And he's fine with it, because it happened off-screen and someone else arranged it. For other uses, see Inside Man disambiguation. Not to be confused with The Insider film. Release date. Running time. Main article: Inside Man: Most Wanted. Retrieved September 22, Box Office Mojo.
Internet Movie Database. Retrieved June 30, March 24, Retrieved April 13, Universal Studios. Archived from the original PDF on May 29, Retrieved June 29, Turner Classic Movies. Turner Entertainment Networks, Inc. Retrieved July 1, Variety Media. Emanuel Levy. Retrieved July 5, American Cinematographer. American Society of Cinematographers. June 7, New York Times. Retrieved July 29, March 29, Retrieved July 9, The Guardian. Guardian News and Media Limited. Retrieved July 8, Archived from the original on May 27, The Official Terence Blanchard Website.
Terence Blanchard. Archived from the original on May 24, Deccan Chronicle. July 6, Retrieved July 6, Archived from the original on June 14, March 21, Retrieved July 2, Our services are very confidential. All our customer data is encrypted. Our records are carefully stored and protected thus cannot be accessed by unauthorized persons. Our payment system is also very secure. We have employed highly qualified writers.
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