I gotta hear this! Another instrumental track intended for the album was a rock number, "Masking Tape" credited to Barry Mann and Cynthia Weil but authorship has also been listed as unknown which the group recorded with bassist Jerry Yester.
One take was recorded: before the take Micky and Chip Douglas run through one of the song's verses. At the end of the performance Micky exclaims, "Whoa! That was it! Peter, Mike, Micky and his sister Coco recorded demos early in the sessions. Mike and the Dolenzes' demos took place in one session, as before Mike's demo Here We Go - Zilch (3) - Platinum (CD "Until It's Time" Chip Douglas is heard teasing that Mike is demoing under his old pseudonym 'Michael Blessing' to the laughter of Micky and Coco.
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Tommy Boyce Bobby Hart. Barry Mann Cynthia Weil. Diane Hildebrand Jack Keller. ISBN Alfred immediately backs off, but Batman jumps in and grabs the gun out of the boy's hands.
Batman notes, "It's not loaded, but it could have been. Despite this seemingly idyllic life, Bruce struggles to accept this reality, and in his quest for the truth, he confronts the other Batman and discovers he is being affected by the Mad Hatter, who was trying to make Batman lose interest in continuing his obsessive, vigilante life. Batman chooses to continue being Batman over the life that Bruce Wayne would have loved to have.
Red Sky, Take Warning : The third and fourth seasons used red skies for the night scenes. Replacement Goldfish : H. The Joker hired her because it was cheaper than paying for the real Harley's release from Arkham, but he grows to regret it and a pissed-off Harley gets back at him for it in the end.
It isn't until his disfigurement during Rupert Thorne's attempt at blackmailing him that the Two-Face personality takes control with Harvey Dent occasionally breaking through. Gets taken Up to Eleven in the episode " Judgement Day " where Two-Face repressing Harvey Dent for so long, especially his passion for justice, resulted in a third personality forming. The Judge, a Vigilante Man that treats all crimes as punishable by death.
Resurrection Sickness : Ra's Al Ghul experiences intense rage after resurrection. Ret-Canon : Prior to Batman: TASMister Freeze was a thug in a powered suit with an ice gun and actually was dead in the comics when the show first aired.
The show gave Freeze a tragic past which DC promptly incorporated into the comics with the result of completely revitalizing the character. The Batgirl series reveals that "The Gray Ghost" is now an old TV show within the DCU properand an ardent fan of hers assumes the "Gr e y Ghost" identity, complete with hat and mask, in an Album) to be her sidekick. Batgirl herself, Stephanie Brown, explains that she never watched the show, but she knows that the main character must have been smarter and saner than this guy.
Retired Badass : "The Lion and the Unicorn" reveals that Alfred spent time as a British government operative many years ago and, even though his primary duties were behind a desk, he amassed quite a few skills. Retro Universe : It is shown in "Cold Comfort" that that episode is set in August of and the technology is effectively that of the sbut the industrial design is the Art Deco of the s and 40s and people still wear hats.
A particularly glaring example was seen in "Fear of Victory," whose plot hinges on a college football game. The athletes are shown playing without facemasks and wearing leather helmets, out of fashion since at least the 's. Televisions were typically black and white though color ones existed. One episode showed that Bruce Wayne owns a black and white TV.
Yeah, the billionaire with the massive, high-res computers in his basement. All of the other planes in the series use propellers. Its also worth noting that the jet powered batwing can't outrun but can out maneuver the bulky retro-tastic helicopters that are popular in Gotham.
Even though the man ruined his and his wife's lives, Batman still tries to save him out of principle. The caped crusader does give evidence of Boyle's wrongdoings and leaves him to be arrested. Freeze : It can't end this way Alfred: Ms. Gordon, I uh, see you've discovered our little secret. Yes, I admit it. I am Batman. Warren: gets unmasked by Batman "Wait a minute wait a minute! We can make a deal!
A million dollars just to let me go! Think about it, that buys a LOT of batarangs! Comissioner Gordon : One of these days, I'm going to nail his feet to the ground. Condiment King: "What's this?
Ah, the Big Bad Bat Guy. I knew you'd ketchup to me sooner or later. How I've relished this meeting. Come Batman, let's see if you can cut the mustard.
Nygma : You are a fool, Mockridge, to think you can get away with this. Mockridge : Oh yeah? Then tell me something Eddie If you're so smart, why aren't you rich? Bane: You can't do this to me! Pamela Isley: Shouldn't we wait for your friend? Mechanisms are in place to deal with urgent applications. Please notify either Keren Middelkoop or Jo-Ann Passmore, and Assistant Research Management Accountant Joy Joachim well in advance of a looming deadline should this be anticipated, so that the necessary arrangements can be made to expedite the approval process.
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Completion of internal approval through the eRA system will deem your application ready for submission by the institution or PI to the funder or for sign off of the research contract. Producer Chip Douglas also had identified Dolenz's drumming as the weak point in the collective musicianship of the quartet, having to splice together multiple takes of Dolenz's "shaky" drumming for final use. At the height of their fame inthey also suffered from a media backlash.
We were under siege; wherever we went there was such resentment for us. We were constantly mocked and humiliated by the press. We were really gettin' beat up pretty good. We all knew what was going on Here We Go - Zilch (3) - Platinum (CD.
Kirshner had been purged. We'd gone to try to make Headquarters and found out that it was only marginally okay and that our better move was to just go back to the original songwriting and song-making strategy of the first albums except with a clear indication of how [the music] came to be The rabid element and the hatred that was engendered is almost impossible to describe.
It lingers to this day among people my own age. Technically it was much better, but I think it suffers for that reason. They used a mixture of themselves and session musicians on the album.
All of its songs, except for two, were featured on the Monkees' television show during the second season. Nesmith stated, "One of the things that I really felt was honest was country-rock. I wanted to move the Monkees more into that because It had a lot of un-country things in it: a familiar change from a I major to a VI minor—those kinds of things.
So it was a little kind of a new wave country song. It didn't sound like the country songs of the time, which was Buck Owens. Their next single, "Daydream Believer" with a piano intro written by Torkshot to No. The Monkees decided that they no longer needed Chip Douglas as a producer, and starting in Novemberthey largely produced their own sessions. Praising Nesmith in The Los Angeles Timesjazz critic Leonard Feather wrote, "Verbally and musically, Mike Nesmith is one of the most articulate spokesmen for the new and literate breed of pop musicians who have spring from the loins of primitive rock.
The album is considered by some the Monkees' "White Album" Sandoval mentions this in the liner notes of Rhino Handmade's Deluxe reissue of the album ; the songs reflected the respective band members' own musical tastes, which resulted in an eclectic album although Peter did not have a song on the album.
Micky sang the pop songs e. Davy sang the ballads e. This last song is notable for added effects to make it sound like an old record even including a "record skipping" simulation made before the Beatles "Honey Pie", which used a similar effect.
The album cover—a quaint collage of items looking like a display in a jumble shop or toy store—was chosen over the Monkees' objections. It was the last Monkees' album to be released in separate, dedicated mono and stereo mixes. During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track a then-standard on American sitcomswith the bulk of Season 2 episodes airing minus the canned chuckles.
They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank ZappaTim Buckley and Charlie Smalls composer of The Wiz performing on the show.
However, NBC was not interested in eliminating the existing format, and the group except for Peter had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show invariably left the experience "hating everybody".
Screen Gems and NBC went ahead with the existing format Album), commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers.
The pilot had the same energy and pace of The Monkeesbut never became a series. Schneider was executive producer, and the project was co-written and co-produced by Bob Rafelson with a then-relatively unknown Jack Nicholson. The film was not a commercial success, in part because it was the antithesis of The Monkees television show, intended to comprehensively demolish the group's carefully groomed public image.
A sparse advertising campaign with no mention of the Monkees hurt any chances of the film doing well, and it played briefly in half-filled theaters. In the DVD commentary, Nesmith said that everyone associated with the Monkees "had gone crazy" by this time. They were each using the platform of the Monkees to push their own disparate career goals, to the detriment of the Monkees project.
Nesmith added that Head was Rafelson and Nicholson's intentional effort to "kill" the Monkees, so that they would no longer be bothered with the matter. Indeed, Rafelson and Schneider severed all ties to the band amid the bitterness that ensued over the commercial failure of Head.
At the time, Rafelson told the press, "I grooved on those four in very special ways while at the same time thinking they had absolutely no talent. Released in Octoberthe single from the album, "The Porpoise Song", is a psychedelic pop song written by Goffin and Kingwith lead vocals from Micky Dolenz and backing vocals from Davy Jones, and it reached No.
The soundtrack album to the movie, Headreached No. The six plus "Ditty Diego" Monkees songs on the album range from psychedelic pop to straightforward rockers to Broadway rock to eastern-influenced pop to a folk-rock ballad.
Although the Monkees performed "Circle Sky" live in the film, the studio version is chosen for the soundtrack album. The live version was later released on various compilations, including Rhino's Missing Links series of Monkees albums. The soundtrack album also includes a song from the film's composer, Ken Thorne. The album had a mylar cover, to give it a mirror-like appearance, so that the person looking at the cover would see his own head, a play on the album title Head.
Peter Tork said, "That was something special He made it different from the movie. There's a line in the movie where [Frank] Zappa says, 'That's pretty white. It was a different artistic experience. Over the intervening years Head has developed a cult following for its innovative style and anarchic humor. Members of the Monkees, Nesmith in particular, cite the soundtrack album as one of the crowning achievements of the band. Tensions within the group were increasing.
In the DVD commentary for the television special, Dolenz noted that after filming was complete, Nesmith gave Tork a gold watch as a going-away present, engraved "From the guys down at work.
Since the Monkees at this point were producing their own songs with very little of the other band members' involvement, they planned a future double album eventually to be reduced to The Monkees Present on which each Monkee would separately produce one side of a disc. Billboard chart and No.
Nesmith continued in his country-rock vein after offering straight ahead rock and experimental songs on the two prior albums. Everybody who was hanging out in those times. I could just feel this happening that there was this thing.
So, I headed off to Nashville to see if I couldn't get some of the Nashville country thing into the rock 'n' roll or vice versa. What I found was that Nashville country was not the country that was going to be the basis of country-rock and that it was Western, Southwest country. It was coming much more out of the Southern California scene. I ended up with a lot of Dobro, mandolin, banjo, and things that were hard-core mountain music stuff They loved it, for one thing.
Dolenz contributed the biggest and longest Monkees' production, "Shorty Blackwell", a song inspired by his cat of the same name. Both Jones and Dolenz continued their role of singing on the pop songs.
Lyrically, it has a theme of being one of the Monkees' most melancholy albums. The Monkees also had a contractual obligation to appear in several television commercials with Bugs Bunny for Kool-Aid drink mix as well as Post cereal box singles. The final album with Michael Nesmith, from the Monkees' original incarnation, was their eighth album, The Monkees Presentreleased in Octoberwhich peaked at No. Jones collaborated with Bill Chadwick on some slower ballads, along with releasing a couple of older upbeat songs from In the summer of the three Monkees embarked on a tour with the backing of the soul band Sam and the Goodtimers.
Concerts for this tour were longer sets than their earlier performances tours, with many shows running over two hours. Toward the end of the tour, some dates were canceled due to poor ticket sales, and the tour failed to re-establish the band commercially, with no single entering the Top 40 in Dolenz remarked that the tour "was like kicking a dead horse. The phenomenon had peaked. This left Dolenz and Jones to record the bubblegum pop album Changes as the ninth and final album by the Monkees released during its original incarnation.
By this time, Colgems was hardly putting any effort into the project, and they sent Dolenz and Jones to New York for the Changes sessions, to be produced by Jeff Barry. In comments for the liner notes of the re-release of ChangesJones said that he felt they had been tricked into recording an " Andy Kim album" under the Monkees name. Except Album) the two singers' vocal performances, Changes is the only album that fails to win any significant praise from critics looking back 40 years to the Monkees' recording output.
Dolenz contributed one of his own compositions, "Midnight Train", which was used in the re-runs of the Monkees TV series. September 22, marked the final recording session by the Monkees in their original incarnation, when Jones and Dolenz recorded "Do It in the Name of Love" and "Lady Jane". The single was not credited to the Monkees in the U. Both Jones and Dolenz released multiple singles as solo artists in the years following the original break-up of the Monkees. The duo continued to tour throughout most of the s.
Partly because of repeats of the television series The Monkees on Saturday mornings and in syndication, The Monkees Greatest Hits charted in The LP, issued by Arista Recordswho by this time had possession of the Monkees' master tapes, courtesy of their corporate owner, Screen Gems, was actually a re-packaging of an earlier compilation LP called Refocus that had been issued by Arista's previous label imprint, Bell Recordsalso owned by Screen Gems.
Nesmith had not been interested in a reunion. Tork claimed later that he had not been asked, although a Christmas single credited to Micky Dolenz, Davy Jones and Peter Tork due to legal reasons was produced by Chip Douglas and released on his own label in This was the first albeit unofficial Monkees single since Other semi-reunions occurred between and Tork also recorded some unreleased tracks for Nesmith's Countryside label during the s, and Dolenz by then a successful television director in the United Kingdom directed a segment of Nesmith's TV series Television Partsalthough his segment was ultimately not included when the series' six episodes were broadcast by NBC during the summer of Brushed off by critics during their heyday in the late s as manufactured and lacking talent, the Monkees experienced a critical and commercial renaissance two decades later.
Their original albums began selling again as Nickelodeon began to run their old series daily. MTV promotion also helped to resurrect a smaller version of Monkeemania, and tour dates grew from smaller to larger venues and became one of the biggest live acts of and A new greatest hits collection was issued, reaching platinum status. By this point, Nesmith was more amenable to a reunion, but forced to sit out most projects because of prior commitments to his Pacific Arts video production company.
In Septemberthe three rejoined to play Australia again, Europe and then North America, with that string of tours ending in September Nesmith again returned at the Universal Amphitheatre, Los Angeles, show on July 10, and took part in a dedication ceremony at the Hollywood Walk of Famewhen the Monkees received a TV star there in The success, however, was not without controversy.
The Best of The Monkees. Some copies of the single and album credit the new songs to "the Monkees", others as "Micky Dolenz and Peter Tork of the Monkees ". Reportedly, these recordings were the source of some personal friction between Jones and the others during the tour; Jones typically left the stage when the new songs were performed. Ina new television series called New Monkees appeared.
Other than being centered around a boy band quartet, it bore no resemblance to the earlier series or group. The New Monkees left the air after 13 episodes. In the s, the Monkees continued to record new material. The band also re-issued all the original LPs on CD, each of which included between three and six bonus tracks of previously unreleased songs or alternate takes; the first editions came with collectable trading cards.
The trio also appeared together, as themselves, in the film The Brady Bunch Movie. Their eleventh album Justus was released in It was the first since on which all four original members performed and produced. The trio of Dolenz, Jones, and Tork reunited again for a successful 30th anniversary tour of American amphitheaters inwhile Nesmith joined them onstage in Los Here We Go - Zilch (3) - Platinum (CD to promote the new songs from Justus.
For the first time since the brief reunion, Nesmith returned to the concert stage for a tour of the United Kingdom inhighlighted by two sold-out concerts at Wembley Arena in Wembley ParkLondon.
This was a very fitting venue, as from 30 June to 2 July the Monkees had been the first group to headline on their own at the Empire Pool, as the Arena was then called. The full quartet also appeared in an ABC television special titled Hey, Hey, It's the Monkeeswhich was written and directed by Nesmith and spoofed the original series that had made them famous. Following the UK tour, Nesmith declined to continue future performances with the Monkees, having faced harsh criticism from the British music press for his deteriorating musicianship.
Tork noted in DVD commentary that "InNesmith had learned a reasonably good version of the famous 'Last Train to Clarksville' guitar lick, but inMike was no longer able to play it" and so Tork took over the lead guitar parts. Nesmith's departure from the tour was acrimonious. Jones was quoted by the Los Angeles Times as complaining that Nesmith "made a new album with us. He toured Great Britain with us.
Then all of a sudden, he's not here. Later, I hear rumors he's writing a script for our next movie. Oh, really? That's bloody news to me. He's always been this aloof, inaccessible person Tork, Jones, and Dolenz toured the United States inafter which the group took another hiatus until when they once again reunited to tour the United States. If your protocol is a sub-study of an existing study, please include a brief description of the parent study, the current status of the parent study, and how the sub-study will fit with the parent study.
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